Two days after the Oscars, Law Roach used his platform to make a bigāand totally unexpectedāannouncement: heās retiring. In a candid and cryptic Instagram post, the 44-year-old celebrity stylist wrote, āMy cup is emptyā¦the politics, the lies, and false narratives finally got me! You winā¦Iām out.ā
People were shocked, airing their protestations and expressing mass confusion in the comments. Not only was Roach responsible for Zendayaās and Megan Thee Stallionās triumphant red carpet returns with vintage Versace and Prada ensembles and a custom Bach Mai gown, respectively, along with Euphoria star Hunter Schaferās single feather top at the recent Vanity Fair Oscar Partyābut fashionās other big night out, the Met Gala, is less than two months away. One canāt help but wonder, what will such an event even look like without the self-proclaimed image architectās Midas touch?
Speculation as to why Roach suddenly called it quits began to spread across the internet like wildfire. But all of the theories and pointed fingers miss the point: Roach is a Black man working in fashion, which is a business as awe-inspiring as it is cutthroat.
Heās hardly the first person to air his grievances about the industry and its stifling nature. Back in November 2021, the late Virgil Abloh spoke with Rolling Stone about systemic racism in fashion and how he used his designs as a way to fuel change. Prior to his controversial āWhite Lives Matterā T-shirts and Balenciaga rift, Kanye West spoke of the same problems in 2014 during a performance at the Wireless Festival in London. In his 2020 memoir, The Chiffon Trenches, AndrĆ© Leon Talley chronicled many instances of combating racism in the hallways of Vogue
What made Roach distinguish himself amongst countless stylists is his level of connoisseurship, particularly with regards to dressing Zendaya in well-selected vintage pieces. Back in his hometown of Chicago, Roach famously owned his own vintage boutique, Deliciously Vintage, which demonstrates an entirely different level of expertise when it comes to deciding what (or where) to look into the archives. Los Angeles-based vintage seller Johnny Pechuga considers Roach to be a mentor mainly due to his attention to detail. āWhen you look at what sheās [Zendaya] is wearing, thereās an authenticity to it, because itās someone who actually knows what theyāre doing,ā he says. There is balance from top to bottom, never tipping too far over the line into matronliness or camp. Even Roach himself said in a 2017 interview with Fashionista that āvintage is my addiction.ā It turns out this addiction, however exhausting, was largely inspired by his grandmother, who would take him thrift shopping, or ājunking.ā As Roach got older, according to a 2018 interview with The Guardian, he would collect clothes in his car. After he began regularly lending out pieces to girlfriends, he figured he might as well try and do it professionally.
If thereās one thing Roach knows, itās how to combine sartorial history with the current zeitgeist to create a conversation. Before Zendaya drew attention and countless Instagram likes for her continuous fashion hits on the red carpet, there was Celine Dion. During haute couture week in Paris back in 2016, Roach was responsible for transforming the singerās style, informing the world that her divadom fluidly carried from the stage to the Grand Palais. Outlets like Vanity Fair and The Cut wrote about her sartorial versatility, from full Balmain looks to monochromatic Gucci and one very memorable Balenciaga dress paired with a Saint Laurent jacket. Even Vogue France marked Dionās turn as having a ānew fashion credibility.ā This was all because of Roach.
The fandom doesnāt only exist in fashion and media circles either. For younger generations, including millennials and Gen Zers, Roachās impact can be found on TikTok, at @zendayastylefiles on Instagram, or by witnessing Bella Hadidās style transformation in the pages of Teen Vogue, to name just a few instances. āI think thereās something in particular about these archival moments that make a celebrity stand out, because that object literally might be one of a kind,ā says fashion historian Rikki Byrd of Roachās impact. āCelebrities bring forth this excitement to archives that allow the viewers or fans to do some digging themselves.ā The aforementioned stars ignite discourse about the past and present as well as spread awareness; in turn, they create archives of their own with fans detailing their style evolutions.
One would also be remiss not to acknowledge that Roach has transcended his own laneāpeople outside of the fashion world know his name. His personal style, commitment to his clients, willingness to be interviewed, and television appearances on Americaās Next Top Model and Legendary all allowed him to serve a multitude of roles. Above all, he lets his clients be seen while he himself is seenāa bold move in an industry where celebrities are prioritized above anyone else. It was often his own presentation that made people notice that he was there, and that he deserved to take up space just as much as anyone else. In this way, Roach both catapulted certain Hollywood talents into another realm of icon and became the sun within his own empireāa constellation of all the elements that make someone a star: presence, style, personality, talent, and provocation.
In a February 2022 interview with Fox Soul, Roach said, āYou canāt talk to me any kind of way. You canāt treat me any kind of wayā¦Iām not really afraid of this industry because Iām Black. Iām from the hood. I can always go back. If I have to rework what Iām doing, Iām not afraid of that.ā Whatever he chooses to do next, whenever that may be, rest assured weāll be watching.
Morgan Jerkins is the author of This Will Be My Undoing.